The first fully painted feature length animation ‘Loving Vincent’ is set to be released in under a week (October 13th 2017) and we can’t wait to see gallery artist Sarah Wimperis’s scene she painted for the film (see images above). The Film documents the life and death of Vincent Van Gogh with the films animation in the style of his famous works of art. Amazingly the film is constructed of 65,000 oil paintings. Sarah spent five painstaking months working on the film in Gdansk at the beginning of 2017 and was the only British artist involved in the making of the film.
To coincide with the release of the film Sarah is having a solo exhibition ‘Light and Heat’ in our London gallery which starts on the 12th October 2017, where we will also be hosting a private view with Sarah in attendance. The works that will be featured in this exhibition are inspired by her experience working on ‘Loving Vincent’. To produce these new paintings Sarah spent her summer immersing herself in the colours and light of the South of France, where Van Gogh once lived and worked.
Our new solo show by Miles Heseltine is now up in both our cornwall and London galleries. We would like to say a massive thank you to everyone who came to the Private View in Falmouth with Miles in attendance.
Miles Heseltine’s reputation as a distinguished part of the contemporary Cornish art scene has been very well earnt. This artist is often found on monumental cliff tops with a colossal sheet of paper rolled out in front of him, stones used to anchor the corners to the rugged ground, working intuitively and quickly to capture a particular moment. His approach seeks out essences such as rhythm and suggestions of form, filtering what he sees in front of him to the awe-inspiring elements that have stopped him in his tracks during his daily walks. This inspiration is carried home to his studio and into his thickly layered paintings. The immediacy and energy from his process is distinctively evident throughout his work; with confidently applied brushstrokes, laden with oil paint, reliving the gestural sweeps of charcoal from those moments in the landscape.
This solo exhibition marks 10 years since the artist’s inclusion in the ground-breaking exhibition ‘Revolver’ at the Penzance Art Gallery, grouping Miles with other young mid-career artists that together represented a new confidence and attitude in the contemporary Cornish art scene.
This show is definetely for lovers of expressive mark making and impasto painting and is not to be missed!
To see all works featured in Mile’s show follow the link to our exhibition page here:
We have taken part in FRESH Art Fair 2017! This exciting new art fair took place at Cheltenham racecourse and featured numerous galleries from across the country coming together to show a great variety of art. This fair was a huge success for us and we would like to say a big thank you to everyone who organised this event and came to visit us whilst we were there. We can’t wait till next time!
We are thrilled to be taking part in this year’s Chelsea Art Fair at The Chelsea Town Hall. We see this as a fantastic opportunity to connect with other galleries across the UK and to show our unique and wonderful artists that we represent at the gallery.
This year we are featuring an array of our gallery artists at our stand including work by: Kerry Harding, Miles Heseltine, Ashley Hold, Alasdair Lindsay, Myles Oxenford, Hector Trend, Andrew Tozer, Erin Ward, Benjamin Warner and Sarah Wimperis. We are also showcasing sculpture by Peter Hayes and the ceramics of Paul Jackson for the first time.
Our current exhibition ‘Masters of Colour’ is open from the 10th – 29th March 2017 and celebrates four of our gallery artists and their exceptional use of colour within different mediums. In this collection you can see vibrant paintings by Myles Oxenford and Richard Tuff along with Paul Jackson’s painterly ceramics and Louisa Taylor’s pastel coloured porcelain vessels.
Myles lives and works in rural Cornwall where he explores the landscape of his surrounding environment with his dog (who he paints on rainy days) and often his surfboard. He also returns frequently to paint in Scotland, Wales and the Alps.
”In my paintings I want to convey the feeling of sitting in and becoming part of the landscape. I primarily paint outside to capture the light and movement that make the landscape alive to me. By exploring colour and brush marks I am constantly experimenting with different ways of balancing a desire to represent and abstract the Cornish landscape in my work.” – Myles Oxenford
Louisa Taylor Crocus Nest of Three Bowls
Louisa Taylor’s Crocus Nest of Three Bowls – £350
Conceptually, Louisa’s hand-thrown porcelain vessels draw on museum collections of 18th-century tableware, her modern forms and subtle glazes playing off their antique hand-painted brushwork and dimensions.
As well as form and function, Taylor is especially interested in colour permutation. During her MA studies at the Royal College of Art, she developed a keen interest in coloured stoneware glazes. This started a vast research project that has produced more than 1,000 recipes for new glazes and surface finishes. As a result, she consults as a freelance designer to leading companies in the industry.
“The subtle colour palette of the range is directly influenced by hand painted decoration on historical tureens and grand vessels. I deconstruct each individual colour and match it with glaze. I use the content of the decoration to inform the overall composition of the piece; for example the height of the vessel correlates to the proportion of the colour in the pattern. The intention is to create works that as a whole describe the pattern from where they derived.” – Louisa Taylor
Richard Tuff’s paintings have a unique almost child like charm to them. The colours are rich and strong with many subtle changes of light and tone capturing so well on paper the Cornish harbours and towns. He carefully studies the subject matter to be painted and then captures the essence and the feeling of a place, often disregarding the natural order of things.
”I have sought to emphasise the tranquillity of this area with a palette of cool blues and greens, using the gentlest and most harmonious tones to express this sense” – Richard Tuff
Paul Jackson decorates his ceramics in a painterly fashion giving each piece a unique and individual character. He starts by hand throwing them on a wheel and often uses white earthenware clay to freely sculpt each ceramic. More recently he has been working with local stoneware and porcelain in a salt glaze kiln, referencing his inspiration from the Cornish landscape.
BBC Two’s Great Pottery Throwndown came back to our screens in February after a hugely successful first series, attracting over 2 million viewers each week. The show, which many are describing as The Great British Bake Off meets clay, sees ten amateur potters compete to become Top Potter with a number of challenges that range from garden sculpture to a 12-piece porcelain tea set. The third episode of the new series focused on the art of Japenese style ceramics and featured the work of Penzance-based potter Catherine Lucktaylor as a perfect example of how to master the dramatic process of raku-firing.
Raku-firing involves taking pots while they are still glowing red from the kiln and placing them immediately into containers filled with combustible materials. The materials ignite and the containers are closed, producing an intense reduction atmosphere which effects the colours in glazes and clay as well as creating a distinctive cracking due to the drastic thermal shock. The pots are then plunged into cold water to halt the firing process.
Catherine Lucktaylor‘s ‘Wild Cornwall’ series of pots uses the Raku process to create an expressive and colourful finish, reminiscent of flower filled clifftops and swirling seas. Catherine was sought out for the program that showed judge and master potter Keith Brymer Jones holding her pot up from the group of examples to completely focus on her stand-out decoration.
Catherine has been making and experimenting with Raku for over 25 years and was lucky enough to be taught by two well known and respected authorities on Raku during her two-year foundation at Huddersfield Polytechnic and at Wolverhampton Polytechnic as part of her BA Hons in Ceramics. After this she moved to Cardiff and then Brighton, continuing to explore kiln building and Raku, sawdust and pit firings. In 1999, Catherine received a travelling Fellowship from the Winston Churchill Memorial Trust and travelled to West Africa and Brazil, creating mixed media sculptural installations as she explored her mixed British-Ghanaian heritage. It was the birth of her son, Leon, in 2007 and another move, to West Cornwall, that led her back to her first love of ceramics. Catherine now specialises in hand built Raku-fired ceramics inspired by the Cornish landscape, which she creates in her large studio near Penzance.
Her work has been exhibited in galleries across the UK, including the Beside The Wave galleries who are celebrating Catherine’s Great Pottery Throwdown feature with a show focusing on her ceramics in their gallery in Falmouth (10th – 30th March). The collection will include brand new work from Catherine’s ‘Wild Cornwall’ series, allowing fans of the show to see Catherine’s textured and bright finishes first hand.We also have another collection of Cornish Mist Pots by Catherine on our website.
For those wishing to find out even more about the process, Catherine runs Raku course and master classes from her studio, details of which can be found on her website.
We are excited to announce the opening of Andrew Tozer‘s new exhibition ‘Celebration’ now open in both our Falmouth and London galleries until the 8th March.
The paintings shown in Cornwall celebrate the wonderful Cornish landscape with seascapes of St.Mawes and classic harbour scenes from Mousehole and Falmouth. Whilst the paintings shown in London are a smaller collection of intimate portrayals of the artist’s home farm and family.
This show continues to focus on Andrew’s fascination with the cornish landscape and its quality of light and colour with many of his works being created ‘en plein air’:
‘The common link between both collections is one of celebration. By this I mean that in all the works produced I have attempted to capture a special moment and share it with the viewer. In both collections, many of the works are painted ‘en plein air’ or as some say ‘live’. This process is both immensely challenging and hugely rewarding for me as an artist, as one has to exist simultaneously in the moment one is trying to capture and in the actual painting itself thus creating a unique connection.’ – Andrew Tozer
About The Artist
Andrew Tozer was born in Cornwall in 1974. Inspired by art materials found around his parents house he started drawing at a very early age. By fifteen he was sure that becoming a painter was his true calling and at 19 he moved to the capital to study at Westminster University and then on to Central Saint Martins. It was here that he first began to paint outdoors. Taking small sketchbooks and minimal painting materials he would visit Trafalgar Square,Richmond and Kew Gardens.
On graduating Andrew returned to Cornwall and he started to paint the area that he grew up in. Now, Andrew’s paintings record the everchanging nuances of light in his surroundings and his paintings are in the Impressionist tradition. The simplicity and beauty of his work, however, is underpinned by rigorous draftsmanship and the intensity and complexity of his paint handling. His fast, accurate, painterly language becomes clear as thin coats of colour and glazes are applied repeatedly. This is a process that can take months: sites are revisited, paintings adjusted and repainted until a final conclusion is reached.
Andrew Tozer is one of the leading contemporary painters in whose work the legacy of Impressionism resonates: landscapes are expressed with breathtaking immediacy,
fleeting impressions rendered in such a way as to capture the essence of what’s there. His highly collected work has been shown exhibited widely throughout Cornwall and the
With the most romantic day of the year just around the corner, we’ve made it easy to say ‘I love you’ this Valentine’s day in a truly unique way. We have put together a guide using some of our most precious items in the gallery that would be perfect for a loved one this Valentines day.
Click, call or email with your most loved piece, will we gift wrap and send it to you before Tuesday 14th February.
We hope you enjoy our Valentine’s Gift Guide.
From left to right: Necklace, labradorite, herkimer diamonds and silver, £380 | Rockpool stud earrings, silver, £70 by Emily Nixon
. From left to right: Curl bangle, silver, £295 | Curl giant knot pendant, silver, £180, by Stephanie Johnson
The collection, the second in the artist’s series of blue works, stems from an almost twenty-year fascination with a particular ultramarine:
‘Ultramarine Blue is the blue of the Medieval Church, it’s the blue of the Virgin Mary, it’s the blue of the Princes and Popes of the Renaissance. It is the perfect blue made by grinding up the semi-precious stone Lapis Lazuli, and purifying it by a complex and difficult process. Sometimes referred to as True Blue, it was and still is one of the more expensive pigments (although now it is made from a chemical process). But I love it. I found my blue, called A19, in the form of big fat crayons manufactured by the Unison Company. I now buy kilo bags of the pure pigment A19 and make my own oil and watercolours. Originally I used it to represent the total blue sky of the Australian series. The Deluge painting demanded it and so this single colour has acquired more and more significance, culminating in the present show. It’s paean to an ancient colour.’ Extract from ‘In conversation with Dr. Paul Williamson, Director V & A Museum’.
With the first series of blue works influenced by travels around the Mediterranean Sea, the starting point for this series is a more abstract one:
‘First and foremost, the paintings are about blue before they are about Sea and Sky. The iconography of the works is based on chance and accident. The format of the works is as simple as I can make it, sometimes a halfway division leaving two blocks of richly worked blue on top and bottom of the canvas. The wonder is that, despite this non-figurative approach, it still recalls to the onlooker Visceral memories of places and events that they may have experienced.’ Adrian Hemming, 2017
Adrian Hemming was born in Leicester in 1945. Following an apprenticeship as an engineer he travelled widely in Europe and developed an appreciation of landscape and a love of art.
On returning to England, Adrian was accepted onto the Foundation Course at Lincoln College of Art. His B.A. was completed at Brighton Polytechnic (1973) and his M.A. at Goldsmiths College, London University (1982).
He co-founded Tichbourne Studios in Brighton and later founded the Angel Studios in London. He went on to establish Southgate Studios in the East End where he has been painting full time since 1990.
Adrian has twice been short-listed for the Artist in Residence at the National Gallery, London. He has lectured and exhibited widely in England, Scotland, America and South Africa. His work can be found in many private and public collections as well as being on public view in Terminal One, Heathrow Airport, as a result of a major commission by BAA.